tag:blogger.com,1999:blog-2999230124118604245.post1548826118408485595..comments2024-03-28T16:36:12.581-04:00Comments on Gurney Journey: Art and InfluenceJames Gurneyhttp://www.blogger.com/profile/01870848001990898499noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-2999230124118604245.post-15341872386610672022008-12-15T10:32:00.000-05:002008-12-15T10:32:00.000-05:00Drew, yes, once in a while I have to wean myself f...Drew, yes, once in a while I have to wean myself from color mixing habits, especially the reliance on browns. Working from warm and cool primaries (or just simple red-yellow-blue) really helps to do that. Working from primaries doesn't necessarily mean the final painting has to be more saturated or chromatic--in fact it's really satisfying to paint a subtle greyish painting with pure primaries.James Gurneyhttps://www.blogger.com/profile/01870848001990898499noreply@blogger.comtag:blogger.com,1999:blog-2999230124118604245.post-54292386821512533912008-12-15T08:12:00.000-05:002008-12-15T08:12:00.000-05:00That blog is a gold-mine of information! I've spe...That blog is a gold-mine of information! I've spent about 20 minutes on it just looking through the archives, and I'm happy to add yet another fine blog to my links.<BR/><BR/>Thanks for throwing this up here for all of us to find!<BR/><BR/>Now I have a question for you, James. I know you've posted before about your usual color palette, but have you ever tried the combination posted on Art Influence of a warm and cool version of each primary and titanium white? No secondaries, browns, or blacks on the palette, just those colors.Andrewhttps://www.blogger.com/profile/18262476114387821096noreply@blogger.com