tag:blogger.com,1999:blog-2999230124118604245.post7929738307184134456..comments2024-03-18T07:23:32.809-04:00Comments on Gurney Journey: Beaux-Arts ArchitectureJames Gurneyhttp://www.blogger.com/profile/01870848001990898499noreply@blogger.comBlogger9125tag:blogger.com,1999:blog-2999230124118604245.post-76171699705523975182012-11-15T14:45:36.267-05:002012-11-15T14:45:36.267-05:00Where were the images found in this post? They are...Where were the images found in this post? They are great.<br /><br />Architectural Rendering in Wash by Harold Buren Van Magonigle is a great resource to start learning how to render wash drawings like d'Espouy.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-2999230124118604245.post-82302892721198179652009-03-04T17:46:00.000-05:002009-03-04T17:46:00.000-05:00I might recommend to you Asher Benjamin who wrote ...I might recommend to you Asher Benjamin who wrote a series of books in the late 18th and early 19th century's. These books became the universal American guide for construction in the Greek revival style. His measured drawings of classical detail allowed builders who usually were there own designers to construct beautiful and well proportioned buildings. Dover has reprinted at least one of these. I don't know if it is still available.Stapleton Kearnshttps://www.blogger.com/profile/00226409516935208164noreply@blogger.comtag:blogger.com,1999:blog-2999230124118604245.post-26937161119899159782009-03-04T03:39:00.000-05:002009-03-04T03:39:00.000-05:00nowadays, computers could easily take over this ki...nowadays, computers could easily take over this kind of work. <BR/><BR/>the times change, and artists must change too if they want to keep their living.Unknownhttps://www.blogger.com/profile/09804577213153841212noreply@blogger.comtag:blogger.com,1999:blog-2999230124118604245.post-2130275693161110522009-03-03T20:47:00.000-05:002009-03-03T20:47:00.000-05:00The d'Espouy drawings are incredible. The tonal gr...The d'Espouy drawings are incredible. The tonal gradations are so smooth that it's hard to believe it was done with a brush. I have a book that explains how to do these types of drawings called "Architectural Rendering in Wash". I really want to try doing one, but I keep putting it off!<BR/><BR/>Here's a link to some more images (I wish they were larger so you could better appreciate the level of detail and precision):<BR/><BR/>http://www.georgeglazer.com/prints/aanda/arch/despouy.htmlVictorhttps://www.blogger.com/profile/16334033221403464054noreply@blogger.comtag:blogger.com,1999:blog-2999230124118604245.post-36307961863960591302009-03-03T15:15:00.000-05:002009-03-03T15:15:00.000-05:00Not related to the post (which was great, as usual...Not related to the post (which was great, as usual), but: Congratulations on your Spectrum 16 win.<BR/><BR/>(Read about it over here: http://igallo.blogspot.com/2009/03/spectrum-16-award-winners.html)colinhttps://www.blogger.com/profile/14244453791724435617noreply@blogger.comtag:blogger.com,1999:blog-2999230124118604245.post-25546595521516663522009-03-03T14:08:00.000-05:002009-03-03T14:08:00.000-05:00That Dover book is wonderful. I love classical ar...That Dover book is wonderful. I love classical architecture and decoration and it's derivatives; why isn't it more popular with artists, especially those who love traditional painting? Maybe they have heard the pejorative phrase "mere decoration" too often?Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-2999230124118604245.post-39017566168967003172009-03-03T12:00:00.000-05:002009-03-03T12:00:00.000-05:00I'm interested in the technical execution of this ...I'm interested in the technical execution of this kind of work. It's stunningly complex and precise.<BR/><BR/>Chalk underdrawing? Were guides/templates/calipers used? Masking? How did they get the washes so flat and precise, especially around minute, complex shapes, without edge buildup? The ink lines so perfectly clean? How many hours went into work like this.<BR/><BR/>I've always been intimidated by the precise, mechanical repetition found in subjects like buildings and such. I'm more comfortable with organic, irregular forms, where a tremor in the hand is less detrimental. Even sitting down to a mere sketch of a building is something I approach with apprehension. Then again, I have this paranoia before a session that I won't have enough time to do good work, which puts me in a hasty frame of mind. Not good when you need to judge accuratelyAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-2999230124118604245.post-67245707731423029542009-03-03T11:52:00.000-05:002009-03-03T11:52:00.000-05:00This comment has been removed by the author.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-2999230124118604245.post-59700121656069565982009-03-03T06:29:00.000-05:002009-03-03T06:29:00.000-05:00The Belgian Comic Book Artist Francois Schuiten of...The Belgian Comic Book Artist Francois Schuiten often uses these conventions in his architecture dominated stories.<BR/><BR/><A HREF="http://web.ist.utl.pt/d3264/other/Cites/cites.htm" REL="nofollow">A Newiorkishs view</A><BR/><BR/><A HREF="http://mutualise.artishoc.com/cwb/media/3/bulle.jpg" REL="nofollow">Italian Baroque</A> (I think).<BR/><BR/><A HREF="http://archives.ebbs.net/recherches/tournai2.html" REL="nofollow">A very impressive architectural drawing of a museum build by Art Nouveau architect Victor Horta</A> (the colors are actually subtler and the overall impression is bigger on poster format.Erik Bongershttps://www.blogger.com/profile/02409523352634066030noreply@blogger.com