Saturday, January 19, 2008
Watercolor Humidor
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Do you have a drawer full of dried-up watercolor tubes? I do. Here’s an idea to protect your newer tubes from suffering the same fate. Store...
5 comments:
Friday, January 18, 2008
Painting as Magic
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At age ten, Ilya Repin watched his cousin paint a watermelon. The budding artist regarded the process of creating an illusion out of raw pig...
3 comments:
Thursday, January 17, 2008
L'Art Pompier
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The French language, which has the richest vocabulary for art, has a wonderful word: “pompier.” Literally it means “fireman.” It is used as...
5 comments:
Wednesday, January 16, 2008
Sky Panels
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We take it for granted that all landscape painting in oil should be undertaken “alla prima,” that is, starting with a blank canvas and compl...
6 comments:
Tuesday, January 15, 2008
Moving Mountains
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How much did the Hudson River School painters alter what they saw? Did they move mountains and trees around to make a better landscape compo...
6 comments:
Monday, January 14, 2008
Pizza Dreams
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I first met Sean Andrew Murray twelve years ago when he was an art student at Syracuse University . He held still long enough during our pi...
4 comments:
Sunday, January 13, 2008
The Golden Hour
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Here are two plein-air paintings I made during of the last hour of the same day, as the sun was setting over the Hudson River. I painted the...
13 comments:
Saturday, January 12, 2008
Flower Girls
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Here's the answer to Patrick's question after the last post. Yes, I did pose the models outdoors, in the open shade behind my house....
1 comment:
Overcast Light, Part 2
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Yesterday we looked at how the French academic masters used overcast light to orchestrate complex scenes. Those artists are a tough act to ...
5 comments:
Friday, January 11, 2008
Overcast Light, Part 1
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When a thin veil of clouds covers the sky, sunlight is diffused and indirect. The sky appears light grey or white. It gives a soft overal...
5 comments:
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