People sketches in Austin, Texas by Jeanette Gurney |
Ballpoint pen sketches by Jeanette Gurney, "20% observation, 80% memory." |
I looked across Seventh to an average house. There was something strong and dignified about it that spoke to me. The owner came out at one point to pick up a couple of beer bottles that someone had left on his front lawn the night before.
Any house that you might choose at random is like a stage set for a thousand family dramas. Between its four walls play all the stories of life—the wonder of new love, the laughter and tears of raising children, the frailty of old age.
Big trees shaded the house, and wires connected it to the worries of the wider world. As I worked on my little painting, I tried to see the sketchbook page as its own little microcosm, a self-contained world.
I had to think about paint and the tools and techniques, but I was trying to ride those tools into the world of the picture. I was trying to pour cement on sidewalks so that a kid could skateboard on them, and build a porch so that someone could sit there to drink lemonade and escape the heat.
Waller Street, Austin, by James Gurney, watercolor, 5x8 inches |
Super sketch. Here it is in Street View showing just how accurately you painted it.
ReplyDeletehttp://goo.gl/JVlhjz
Every picture tells a story, don't it? (Rod Stewart, when he was good.......)
ReplyDeleteI don't know all your work james, but "Waller, St., Austin" is one I'll remember.
ReplyDeleteArt is more than the paint.
really well done.
tom
This is a beautiful little painting. Thanks for explaining your goal of getting "beyond the paint". Mission accomplished!
ReplyDeleteYou were using words as paint in this post! Both the story and the painting are beautifully done!
ReplyDeleteAnother inspiring study or maybe it is more accurate to say another inspiring "story".
ReplyDeleteI think "the story" is one of the main strengths and appeal of your work. You are always painting a tangible drama that unfolds on some level whether subtle or overt.
Based on the reviews and comments I have read of "The Artist's Guide to Sketching" this has always been your approach. I'm eagerly waiting to finally read "Guide to Sketching", but its coming via an inter-library loan which means 3-4 months. Any reprint possibiities in the near future for this book?
Thank you for a post that is as beautifully written ("...wires connected it to the worries of the wider world.") as it is painted.
ReplyDeleteThank you for allowing us into your thought process. I truly enjoyed following the story of this painting. Very inspiring.
ReplyDeleteI love the switch from first seeing the finished painting to seeing the steps you have taken first. It caused me to look at each step and notice what was added and accomplished in that step. I tend to overlook all the steps when I see the finished product first.
ReplyDeletewhile you are in Austin check out http://geminischool.com/ up in cedar park.
ReplyDeleteGreat and every time impressive to see, how you wrap up a painting with detail and thoughtful pen lines. So much to learn from just studying your process.
ReplyDeleteBeautiful story and watercolor. And thank you for the step by step.
ReplyDeleteHey James,
ReplyDeleteAre you in the Houston area. Maybe we could meetup and paint. I was at Downtown yesterday and today at Galveston and did some watercolor paintings. ~Randall
Awesome painting, and well-written post! I like your philosophy about the magic of painting houses and all buildings in general. The stories those structures can tell...
ReplyDeleteI realy love your blog,art, videos.....
ReplyDeleteYou do a realy great Job. Thanks for sharing your knowledge.
I have a question. When you are painting streetscenes or just houses i noticed your measuerment and perspektive technic.
But i always struggle with for example Windows. Do they run also just on another perspective line down to the vanishing point, parallel to the other lines? Because if so not many artists made them accurate.
Greetings from vienna
Patrick, yes, the line of the top and bottom of the windows go back to the same vanishing point as the top and bottom of the building. If you can't reach the vanishing point, you can set up a perpective grid: http://gurneyjourney.blogspot.com/2008/01/perspective-tip.html
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