Late in his life, academic painter and teacher Jean-Léon Gérôme (1824-1904) wrote a statement of his beliefs about art.
"The fact is that truth is the one thing truly good and beautiful; and, to render it effectively, the surest means are those of mathematical accuracy. Nature alone is audacious above anything human; she alone is original and picturesque. It is, then, to her that we must become attached if we wish to interest and enthuse the spectator."
Illustration by Howard Pyle |
Jean-Léon Gérôme - Diogenes, 1860, Walters Art Gallery |
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"True Gods and False in Art," by Jean-Léon Gérôme, Harpers Magazine, 1903, Vol. CVI.-No 633.— 47
Exhibition catalog: Jean-Leon Gerome
Drawing Course: Charles Bargue and Jean-Léon Gérôme
"True Gods and False in Art," by Jean-Léon Gérôme, Harpers Magazine, 1903, Vol. CVI.-No 633.— 47
Exhibition catalog: Jean-Leon Gerome
Drawing Course: Charles Bargue and Jean-Léon Gérôme
I happen to agree with Mr. Gerome, regarding the notion that an artist must be artistic in conception, but I part ways with the idea that the execution must be workmanlike. I personally enjoy the artistic conception along with the artistic/poetic SUGGESTION OF this conception, as opposed to the workmanlike documentary of photographic accuracy. The Impressionists were gaining ground in the late 1800's, and Mr. Gerome died in 1904, so depending upon when these quotes were written I would assume these sentiments, coming from an academic especially, were crystallized in response to this new movement.
ReplyDeleteThe four golden attributes of all good art according to the late, great Robert Hughes when writing about Chardin - "To see Chardin's work en masse, in the midst of a period stuffed with every kind of jerky innovation, narcissistic blurting and trashy 'relevance', is to be reminded that lucidity, deliberation, probity and calm are still the chief virtues of the art of painting."
ReplyDeleteI think Gerome would nod approvingly.
"From all this one must conclude that our sense of sight is not as well developed as that of the Greeks or of the Japanese..." is this, perhaps, like memory? Training memory to be able to sing an opera or act in a play, must be similar to artistic training to capture a scene, then interpret and balance it. Gerome seems to fall into the trap of believing there is only one truth, though.
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