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| Field Marshall Goering by Ed Vebell, 1945 |
His job was to record the proceedings of the trial and document the key players. From his position in the press gallery, he could see the defendants, starting with Hermann Göring.
"Göring still seemed to be in charge," Vebell remembers. "He gave the feeling he was still running the show. He had his uniform on, but he had lost a lot of weight." He looked sunken in, reminding Vebell of a collapsed parachute.
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| Vebell’s Nuremberg portraits of Nazis Rudolf Hess (top) and Wilhelm Keitel. |
In his written notes, he described their demeanor, with its mixture of a rigid military bearing and a sense of hollowness.
He sketched while looking through a pair of binoculars because he was a little too far to get a clear portrait likeness.
He pressed the binoculars against his glasses, holding them in position, and then flipped his eyes up and down to switch from the view to the sketch pad.
In this 2013 interview, he recalls the experience. At 9:00 in the video, there's some archival footage of a Russian artist who also documented the trials, with a more caricatured approach.
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Article: Ed Vebell, Still Drawing on History (2016)
Wow! This is incredible! Thanks for sharing. The video is awesome too. He is so easy and humble, it's really fun: "Oh it turned out ok. I did a good job" :-) This must have been quite something to attend and sketch at this trial...
ReplyDeleteBeautiful work. Once at my school we had sketch artist Howard Brodie as artist in residence along with an exhibition of his reportage drawings. These guys were so good that too often when I see modern courtroom art, I long for draftsmanship like that again.
ReplyDeleteThere are also some great videos of Illustrator Joe Krush talking about his experiences at the Nuremberg trials for those interested.
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