Anton von Werner (German 1843-1915) conveys the feeling of a windy, snowy day outside a church using pencil, watercolor, and gouache on warm-toned board.
Wow, this post lead me down a research rabbit hole!
I have spent my morning looking at how you can paint watercolor on board. This picture is so arrestingly interesting and I had to know how he painted watercolor on board--so....off to research I went. Frankly I still have lots to read, and to try.
James, have you ever tried watercolor or gouache on board? If I understand you need a smooth, well sanded, PH balanced board, gesso or watercolor ground (toned in this case), and some patience. Anything I am missing?
Besides the prep time, why do watercolorists not use wood supports more often?
Wow, this post lead me down a research rabbit hole!
ReplyDeleteI have spent my morning looking at how you can paint watercolor on board. This picture is so arrestingly interesting and I had to know how he painted watercolor on board--so....off to research I went. Frankly I still have lots to read, and to try.
James, have you ever tried watercolor or gouache on board? If I understand you need a smooth, well sanded, PH balanced board, gesso or watercolor ground (toned in this case), and some patience. Anything I am missing?
Besides the prep time, why do watercolorists not use wood supports more often?
It looks warm and cold at the same time.
ReplyDeleteIs this board as in a piece of wood or board as in illustration / Bristol board?
ReplyDeleteSmurfswacker, I'm not too sure about the board, but I think it's basically a heavy buff-colored paper or cardboard.
ReplyDeletehttps://www.kettererkunst.com/details-e.php?obnr=116003600&anummer=435&detail=1
ReplyDeleteThey say wove paper mounted on backing board.
Inspiring piece of work!
ReplyDelete