Here's a strategy for sketching subjects with a lot of surface complexity.
In this YouTube video, I demo a sketch of a woodpile using fountain pen over loose watercolor washes.
It's more common for artists to do the line drawing first, which I presume is how Thomas Girtin did this one....
...or this one by John Sell Cotman.
The first stages can be remarkably loose, just setting up possibilities for the pen line.
I use a few blobs of white acrylic to suggest the bright sun, and add loose, scrubby textures from a house painting brush.
Check out the whole presentation in the YouTube video, which contains links for supplies in the description.
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