Answer: I like the stuff we normally overlook. We tune them out of our ordinary habitual awareness, but we'll be nostalgic for them when they're gone.
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Watch the painting being made on my Gumroad tutorial "Casein Painting in the Wild."
Answer: I like the stuff we normally overlook. We tune them out of our ordinary habitual awareness, but we'll be nostalgic for them when they're gone.
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Watch the painting being made on my Gumroad tutorial "Casein Painting in the Wild."
Also, it is convenient as a way to indicate scale, perspective, and sense of reality. A certain _thereness_.
ReplyDeleteAlso, I enjoy how telephone poles illustrate concepts of mass and line.
ReplyDeleteAlso, the way you paint them is gorgeous - the color you use and the variability of your lines and strokes.
ReplyDeleteDidn't they used to call that style the "Ashcan School"?
ReplyDeleteDidn't they used to call that style the "Ashcan School?"
ReplyDeleteHave to disagree with you on this one, James. I will NOT be nostalgic for telephone and power poles and wires IF they ever disappear. There is a reason I try to ignore them and don't include them in my art. I'm a country girl at heart.
ReplyDeleteHow are casein painting framed, like watercolor, with a mat frame and under glass or like an oil painting with just a frame.
ReplyDelete