Hi, James, Just a question that I"m often asked. Do you need permission to paint someone in public? I always assumed that if they're in public, then it comes under public domain. I don't usually get permission to capture a subject. Thanks, Kit M.
Hi James, having to work quickly raises a mundane question for me. I imagine you occasionally have the subject that gets up and walks away before you've captured them, unexpected weather or some other surprise that disrupts a session and leaves you with a false start or unfinished picture. What do you do with these pages in a bound sketchbook - just cut them out? Thanks for sharing so much of your knowledge. Doug
Douglas, quick answer is that I either work them a bit more at home from memory/photo, or paint a priming coat of casein over them, or leave them alone——after all, they are just sketches.
Hi, James,
ReplyDeleteJust a question that I"m often asked. Do you need permission to paint someone in public? I always assumed that if they're in public, then it comes under public domain. I don't usually get permission to capture a subject.
Thanks,
Kit M.
Amazing what years of practice allows a master to do...and call it a sketch!
ReplyDeleteHi James, having to work quickly raises a mundane question for me. I imagine you occasionally have the subject that gets up and walks away before you've captured them, unexpected weather or some other surprise that disrupts a session and leaves you with a false start or unfinished picture. What do you do with these pages in a bound sketchbook - just cut them out? Thanks for sharing so much of your knowledge. Doug
ReplyDeleteDouglas, quick answer is that I either work them a bit more at home from memory/photo, or paint a priming coat of casein over them, or leave them alone——after all, they are just sketches.
ReplyDelete