This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
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Eugène Galien-LaloueThe Statue Of Étienne Marcel, Outside The Hôtel De Ville, Paris
Gouache,7.5 x 11.12 inches (18.5 x 30.5 cm.)
His way of painting was relaxed but precise, alternating big shapes with small impressionistic dots and lines that suggest detail rather than delineating it.
According to Wikipedia, "Galien-Laloue was in exclusive contract with one gallery and used other names: 'L.Dupuy', 'Juliany', 'E.Galiany', 'Lievin', 'G.L' 'Dumoutier' and 'P.Mattig'".
Ken, yes, there were several 19th-or-early-20th-century painters besides Laloue who specialized in boulevard scenes: Jean Béraud, Edouard Cortès, Luigi Loir, Henri Gaston Darien, Louis Schriver, and François Gaillard.
I still aspire to really PAINT. As Unknown said, I agree. Today I finished a small piece and felt the disparity of what I did with too much fuss compared to more spirited works of mine. And I don’t mean necessarily fast or nor do I mean sloppy—even the most detailed classics don’t appear labored. These are beautiful. Thank you for your posts here.
5 comments:
Such a lovely piece, wonderful feel to the scene. Would you consider the way he depicted the busy market as using a "confetti" technique?
I think that "suggesting rather than deliniating" detail is one of THE GREAT QUESTS and keys of good painting.
Was he a similar painter to edouard cortez?
Ken, yes, there were several 19th-or-early-20th-century painters besides Laloue who specialized in boulevard scenes: Jean Béraud, Edouard Cortès, Luigi Loir, Henri Gaston Darien, Louis Schriver, and François Gaillard.
I still aspire to really PAINT. As Unknown said, I agree. Today I finished a small piece and felt the disparity of what I did with too much fuss compared to more spirited works of mine. And I don’t mean necessarily fast or nor do I mean sloppy—even the most detailed classics don’t appear labored. These are beautiful. Thank you for your posts here.
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