This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
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However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
Anton von Werner (German 1843-1915) conveys the feeling of a windy, snowy day outside a church using pencil, watercolor, and gouache on warm-toned board.
Wow, this post lead me down a research rabbit hole!
I have spent my morning looking at how you can paint watercolor on board. This picture is so arrestingly interesting and I had to know how he painted watercolor on board--so....off to research I went. Frankly I still have lots to read, and to try.
James, have you ever tried watercolor or gouache on board? If I understand you need a smooth, well sanded, PH balanced board, gesso or watercolor ground (toned in this case), and some patience. Anything I am missing?
Besides the prep time, why do watercolorists not use wood supports more often?
6 comments:
Wow, this post lead me down a research rabbit hole!
I have spent my morning looking at how you can paint watercolor on board. This picture is so arrestingly interesting and I had to know how he painted watercolor on board--so....off to research I went. Frankly I still have lots to read, and to try.
James, have you ever tried watercolor or gouache on board? If I understand you need a smooth, well sanded, PH balanced board, gesso or watercolor ground (toned in this case), and some patience. Anything I am missing?
Besides the prep time, why do watercolorists not use wood supports more often?
It looks warm and cold at the same time.
Is this board as in a piece of wood or board as in illustration / Bristol board?
Smurfswacker, I'm not too sure about the board, but I think it's basically a heavy buff-colored paper or cardboard.
https://www.kettererkunst.com/details-e.php?obnr=116003600&anummer=435&detail=1
They say wove paper mounted on backing board.
Inspiring piece of work!
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