A background for the Bakshi / Frazetta film "Fire and Ice" (1983), cel vinyl and acrylic paint.
Tom Kinkade and I tried to translate Frazetta's style of muscular, twisting forms into animation backgrounds.
We added depth and atmosphere using airbrushes. To make a soft edge on the rays of light, you could set up a floating straight stencil. Our Paasche airbrushes were powered first by loud compressors and then oxygen tanks.
5 comments:
That is really nicely done!!
James,
So how many backgrounds did you guys paint? And of those how many did you retain?
Lou
Michaelangelo Reina
Did you use any airbrushes on those?
Oxygen or co2 tanks? Unless you two were working at high altitude.
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