Sunday, June 6, 2010

West Palm Beach


Here's a watercolor sketch painted on location a couple of nights ago in West Palm Beach, Florida.

For those in south Florida, I'll be giving a digital slide presentation at 3:00 p.m. today at the Norton Museum of Art, followed by a booksigning. Hope to see you there. Bring the kids and bring your books to be signed. The signing is at 4:00 (there will be books and a poster available there, too).
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Art Daily report on the show
Fine Art News
Norton Museum site

Estonian Edition

Here's the new Estonian edition of Dinotopia: Journey to Chandara.

Estonian publisher's website
Order a signed copy of the English edition (US only) at the Dinotopia Store.

Saturday, June 5, 2010

Gurney at Norton en EspaƱol


Review of the Dinotopia exhibition at the Norton Museum by Colombian model and TV personality Sonia Velasquez. ¡Muchas gracias!

More about Sonia.
Another review of the exhibit in English.
Art Daily report on the show
Fine Art News

Bastien-Lepage: Reinstating Nature



“Art is indebted to Bastien-Lepage for having reinstated nature in all her literal truth by proving that, in order to be beautiful, she has no need of artificial and superfluous adornment.”

——Francois Crastre “Bastien-Lepage” New York: Stokes Publishers, 1914
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Jules Bastien-Lepage on Wikipedia
Limited preview of Crastre's book at Google Books.
Image La Pauvre Fauvrette" 1882 from The-Athenaeum.org.

Friday, June 4, 2010

Ozymandias

The painting on the cover of Dinotopia: Journey to Chandara shows a convoy of dinosaurs and people crossing the desert, passing huge statues from one of Dinotopia’s ancient civilization.

As I painted the fallen stone face on the right side of the picture, I was thinking of Percy B. Shelley’s 1818 sonnet “Ozymandias,” which describes a traveler’s encounter with a colossal ancient statue in the desert: “Near them, on the sand, half sunk, a shattered visage lies.”

The inscription on the stone at the lower left echoes Shelley’s theme of the mute arrogance of a vanished civilization. The phrase says “EVERLASTING DOMINION” in Dinotopian footprint alphabet, ancient Greek, and Aramaic (written with Hebrew letters).

The features on the fallen face in the painting are based not on Egyptian forms, but on casts of Michelangelo's David.
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Links:
The painting is on view in "The Fantastical Art of James Gurney" which opens at the Norton Museum tomorrow.
The Dinotopia online store, where you can order a signed copy of Journey to Chandara.
Dinotopia Wiki on the Footprint Alphabet
Wikipedia on the poem Ozymandias
Previous GJ post on using plaster casts, including the David casts.

Thursday, June 3, 2010

The Bull Calf

American illustrator A.B. Frost did a series of comic drawings in 1892 called the “The Humane Man and the Bull Calf.”

A city slicker buys a bull calf from some country bumpkins, wishing to save the poor animal from becoming veal. He ties the lead rope to his waist against the urgings of the farm kids.

The calf drags the humane man through fences and fields, until the man cuts the creature loose and sells him cheap to be made into meat.

That story was in my mind as Lenny invited me to lead the new bull calf to the pond pasture. First the calf wouldn’t budge. He dug in his hooves. Then he bolted, dragging me along with him like a monkey on a string.

Finally Lenny told me the secret: you push down on his hind end, while pulling forward on the lead rope. “I’ll make a farmer of you yet,” Lenny said as we headed down the dirt road.

The calf and his mother will be on the farm all summer. I’ll keep you posted about future animal stories.

Dover republished an assortment of Frost’s comic drawings called "The Bull Calf and Other Tales."

Wednesday, June 2, 2010

White Test

Jonathan Linton has done a series of tests to see how much white oil paints will yellow over time.


He tested 40 swatches of paint from 11 different manufacturers over a two year period.

The result: some whites turned an alarming lemon or orange color. The cause, according to Mr. Linton: “The culprit seems to be the vehicle (or binder) used. Since safflower oil yellows less than linseed oil, I'm sticking with whites made with safflower oil.”

J. Linton's White Test

Thanks, Jonathan.

Tuesday, June 1, 2010

Dinotopia at the Norton Museum of Art

The staff of the Norton Museum of Art in West Palm Beach, Florida is putting the final touches on the Dinotopia exhibit, which will open this weekend.

“Dinotopia: The Fantastical Art of James Gurney” contains over 50 original oil paintings, along with preliminary sketches, plein air studies, scale maquettes, and dinosaur fossils. This will be the first venue to show the sculpt of the Protoceratops Bix made by Jim Henson’s Creature Shop.

I’ll be attending, this weekend, with a colored pencil drawing workshop on Saturday, June 5 from 1:00-4:00 (there’s still space available), and I'll give a lecture on Sunday at 3:00, with a booksigning afterward. Come by and say hi and get a book or poster signed.

There will be a whole family day celebration on Sunday June 6 from 1:00 to 5:00 with live animals and activities. And there will be events going on all around town during the whole summer. The exhibition will be up through September 5. Call 561. 832.5196 for more information.

Norton.org Dinotopia Exhibit.
Download the full PDF of press release with schedule.

Monday, May 31, 2010

Squash and Stretch

A golf ball seems to be a solid object, incapable of flexing. But if you whack it hard enough, and film it with a fast enough camera, what appears rigid squishes and stretches like a water balloon.

Sunday, May 30, 2010

Jill the Farm Dog

Jill is a 14-year old border collie that lives on the farm. She only has three legs.



She lost her left hind leg eight years ago when a young stallion that she had been provoking kicked her. Lenny, the farmer, took her in for three operations, but finally they had to amputate.

She gets around OK on three legs, but now she has back problems and she’s deaf.

She likes to lie on the cool floor of the barn and watch the baby pigs through the slats of their stall door. Every time they move, she follows them with her eyes.