In this graphite pencil sketch, Charles Bargue (1825–83) uses well placed patches of tone rather than using only outlines to describe the form.
The patches are made out of short, parallel strokes, which create an impressionistic, painterly effect, even though he's working only in unblended pencil.
Charles Bargue helped create the
Drawing Course
used in many ateliers.
The method of sketching with patches of tonal values is also described in
Sketching - from Square One to Trafalgar Square
and Ernest Watson's
The Art of Pencil Drawing
.
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The El Dorado Page (Ernest Watson)
1 comment:
The wobbly texture in the smaller patchy bits reminds me a lot of Maurice Prendergrast watercolors. :)
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