This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
Permissions
All images and text are copyright 2020 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
Thank YOU James! So many of my students and myself have benefited greatly from your books. It has brought another layer of joy to our painting practices. Love the video :)
I bought the 1946/1947 book about Norman Rockwell that you mentioned in a previous blog, then watched your video "Painting Dinosaurs" and your video about the Australian dinosaur stamps. I appreciate your willingness to share the painting process you have developed over the years.
You create maquettes, and seem to draw them same-size. Is your goal to produce art work at a pre-determined percentage larger than the print version of the pictures?
Also, in the video about painting dinosaurs, you spray the approved drawing (on illustration board) with a workable fixative, then paint it with acrylic matte medium. Why is it necessary to use both?
Thanks, CatBlogger. I usually do my paintings about 30% bigger than printed size, but sometimes much larger. The maquette size doesn't really matter. Whatever size is convenient to build. Workable fixative just secures the pencil drawing enough before using the acrylic medium. Without it, the liquid medium could smudge soft pencil.
6 comments:
Thank YOU James! So many of my students and myself have benefited greatly from your books. It has brought another layer of joy to our painting practices. Love the video :)
I have 2 iPad Sketch Books: "JG" and "Metro North". Have you released any more? Gary
Gary, we've just done two Living Sketchbooks: Boyhood Home and Metro North.
I bought the 1946/1947 book about Norman Rockwell that you mentioned in a previous blog, then watched your video "Painting Dinosaurs" and your video about the Australian dinosaur stamps. I appreciate your willingness to share the painting process you have developed over the years.
You create maquettes, and seem to draw them same-size. Is your goal to produce art work at a pre-determined percentage larger than the print version of the pictures?
Also, in the video about painting dinosaurs, you spray the approved drawing (on illustration board) with a workable fixative, then paint it with acrylic matte medium. Why is it necessary to use both?
Thanks, CatBlogger. I usually do my paintings about 30% bigger than printed size, but sometimes much larger. The maquette size doesn't really matter. Whatever size is convenient to build. Workable fixative just secures the pencil drawing enough before using the acrylic medium. Without it, the liquid medium could smudge soft pencil.
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