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| William Trost Richards (1833-1905) "Landscape with Tree" |
This partly finished study is 10 x 14 inches. (25.4 x 35.6 cm) on smooth beige paper. It's mostly and transparent watercolor with some opaque touches in gouache. He used gouache for the thin twigs on the far left, but he carefully painted around the illuminated leaves in the center of the picture.
In this case, his initial steps don't include a very detailed pencil drawing. The unfinished area of the fence shows a few light washes and some locator lines painted with a brush in watercolor.
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| William Trost Richards, American, 1833-1905, Rhode Island Coast: Conanicut Island ca. 1880 |
Although this method requires large reserves of patience and concentration, I don't think it would necessarily take too long; I believe a painting like this could be done in an afternoon or perhaps two consecutive sessions.
William Trost Richards, American, 1833-1905 at the Brooklyn Museum
4 comments:
WTR inspires me to no end.
Another significant online repository of his work is at the Cantor Arts Center at Stanford.
http://cantorcollections.stanford.edu/
If only I could knock out one of those in an afternoon. *sigh*.
Austrian painter Thomas Ender did great watercolors by a similar method, especially during a trip to Brazil in 1817. "Unfinished," they seem remarkably modern while those "finished" look of the period. Google "Thomas Ender Brazil" for examples.
WTR has been a favorite of mine for many years... Especially his watercolors. I just can't seem to see enough of his work, so thank you for this post.
Another favorite is Harry Sutton Palmer. He was British. These two artists inspire me to forget oil painting and get back to watercolor, which I prefer as a medium. Alas you might be aware of the pressure from commercial venues to paint in oil...
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