Thursday, March 5, 2015

Painting an Imaginary Scene Outdoors


Can you paint a fantasy picture outdoors, directly from nature? 

In the Dinotopian scene called "Small Wonder," I wanted to show a springtime scene of two young people caring for a dinosaur hatchling. 


I painted the figures first in the studio, based on posed models—my son Dan and one of his friends, wearing Renaissance Fair costumes. Then I asked a neighbor if I could bring the painting into her garden of tulips and finish it there.


Here's the original painting "Small Wonder," from Dinotopia, The World Beneath.

My inspiration for executing a finished fantasy painting outdoors came from William Holman Hunt. In 1851, he painted "The Light of the World" (left) by moonlight in a makeshift hut on a farm in Surrey, England.

Hunt took the idea of location-painting further when he created the allegorical scene "The Scapegoat." His picture idea came from something he read in the Talmud, saying that a congregation would drive a symbolic goat to its death into the wilderness, carrying the sins of the people away with it.

Hunt traveled with his art supplies to the salt-encrusted shores of the Dead Sea. He brought a goat along with him for a model. His guides warned him that there was a risk from hostile tribesmen near Oosdoom.

The desolate scenery inspired Hunt: “…never was so extraordinary a scene of beautifully arranged horrible wilderness. It is black, full of asphalt scum and in the hand slimy, and smarting as a sting — No one can stand and say that it is not accursed of God…”


The Scapegoat by William Holman Hunt (Lady Lever Gallery) 1854
The goat did not enjoy being tethered. Hunt described him as a "fidgety model." Meanwhile, storms rolled in, and his guides implored him to get away from the dangerous spot.

Reluctantly he returned to his studio in Jerusalem, but the goat died along the way. He brought samples of salt and mud to help him reconstruct the foreground, and left the middle of the picture empty. He bought another goat, some skulls, and a camel skeleton, and worked them into the picture.
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My painting "Small Wonder" is currently on exhibit at the Stamford Museum and Nature Center through May 25.
Books:
Dinotopia, The World Beneath
William Holman Hunt: A Catalogue Raisonne
Related Posts on GJ:
Getting a goat to pose in the satyr workshop
Painting "World of Dinosaurs Stamps" outdoors

3 comments:

drawntoit said...

Thank you, James, for more illuminating inspiration, and little known legends. At least to me! After only a couple of months of plein air classes along the Laguna coast without having to drag my stuff too far, I really appreciated the extra adventures you and those other masters embarked on to make the best art.

krystal said...

That Hunt painting is a religious paradox. Fascinating as I am reading the Talmud, with knowledge of Christianity and the allegorical context of the goat, etc. So many layers, which I am sure are influenced by Hunt's own background/ beliefs.

krystal said...

That Hunt painting is a religious paradox. Fascinating as I am reading the Talmud, with knowledge of Christianity and the allegorical context of the goat, etc. So many layers, which I am sure are influenced by Hunt's own background/ beliefs.