"For pointed pen calligraphy, characterised by graceful curves and strong contrasts in line width, I would recommend trying Nikko G-Pen nibs. You can use these in either a traditional or an oblique pen holder, it is a matter of personal preference. Iron Gall ink is best for this type of calligraphy. Walker’s Copperplate Ink and McCaffrey’s Ink get good results for me."
"Paper is always an important consideration. The paper I often use with Pilot Parallel Pens is Daler Rowney Smooth Cartridge Paper, but any smooth cartridge paper should be fine. When I’m working on roughs for any type of calligraphy I often use layout paper and marker pads. In terms of sketch pads a lot of calligraphers like the Rhodia and Clairefontaine brands as the paper doesn’t bleed very easily. As with everything the key is to experiment, paper with more texture can produce interesting results too."
Scribe: Artist of the Written Word’ by John Stevens, a true modern master. For instruction I would also suggest ‘Foundations of Calligraphy’ by the brilliant Sheila Waters. ‘Calligraphy’ by Gaye Godfrey-Nicholls was published last year, a good book for beginners. Any of ‘Speedball Textbook’ series are also inexpensive sources of instruction and inspiration."
"The key to producing beautiful calligraphy is perseverance. Progress comes through focused and sustained study and practice. You will only persevere if you enjoy what you’re doing. For this reason I’d personally suggest starting with a calligraphy style you particularly like the look of. When you have a reasonable grasp of that style you will notice many of the skills are transferable to other styles."