I share tips for putting an imaginative twist on your plein-air painting—not just fantasy and science fiction ideas, but also changing the lighting, pose, or background of what's in front of you.
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More on this approach to outdoor painting in my tutorial Fantasy in the Wild
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2 comments:
I look forward to reading your article!
Here are a couple of interesting (and somewhat) related essays.
1) “Apollo and Dionysus in the Representational Painting Family Feud”
http://paintingperceptions.com/apollo-and-dionysus-in-the-representational-painting-family-feud/
by Elana Hagler, (was published on December 24, 2014 in Kitsch & Beauty: The Proceedings of The Representational Art Conference 2014, edited by Michael J. Pearce, PhD, MFA.)
“This essay explores the subconscious impulses behind aesthetic choice and offers a framework for a deeper understanding of contemporary representational painting. It is written by a painter with a readership of painters in mind, but is appropriate for anyone who wants this specific peek into the creative psyche.”
And this one from the MET Museum…
B) Heilbrunn-Timeline of Art History: Surrealism
https://www.metmuseum.org/toah/hd/surr/hd_surr.htm
“Surrealism originated in the late 1910s and early ’20s…”
Thanx for the Journey… -RQ
My issue arrived the other day. It's an inspiring and useful article, even for those like me who don't consider themselves concept artists per se. And I always enjoy having a look inside your sketchbook. James, in my opinion your column all by itself makes a subscription to IA magazine worthwhile.
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