A praxinoscope powered by a miniature hot air engine. |
Praxinoscope from the collection of Mel Birnkrant |
The moving figures combine with a background, and they seem to float in 3D space. No shutter, eyepiece, or set of slots is required.
In 1888, Charles-Émile Reynaud took this idea to the next level with his Théâtre Optique (Optical Theater).
The device used 36 mirrors, with longer strips of images that went beyond simple cycles. The images were illuminated with an electric lamp — invented just a few years earlier by Thomas Edison.
Reynaud also figured out how to project the images on a screen so that an audience could watch the show, making Reynaud truly the father of animated film technology.
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Wikipedia entries on:
Charles-Émile Reynaud
Théâtre Optique
Praxinoscope
More about the origins of animation at collector Mel Birnkrant's website
3 comments:
This reminded me of something else that was done later on which was ahead of its time as well, called "The Photodrama of Creation". I dont know if you are familiar with it but lots of art involved. To my understanding it was the first time the visuals and pre-recorder audio were synched as well. May be worth checking out!
Those are great! So much work for just a few seconds. Thank you!
Fascinating to think of the creative thought process, merging art and science
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