This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
Permissions
All images and text are copyright 2020 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
Hi,this is Lynnwood! It always seems more natural to feel your way out from the trunk,but sometimes you can use the tip of the brush at the tip of the branch and use the graduating belly of the brush to make the branch naturally thicker as you approach the trunk.In this case,you can feel the gesture more as if the branch were reaching back through space to grasp or pierce the trunk,as with a bony , gnarly hand...instead of that searching outward feeling .After all there are hidden processes in the smallest twig that reach fruition deep in the ground.The gesture of nature is always toward balance .Growth is both in opposition to and dependent on gravity!....oh,an embarrassingly naive question. How did you achieve the little light areas in the windows on the wall that started as a dark brown wash? Loved the painting...it made me want to paint. Which I went and did!!:))
Lynwood, you make a great case for the "toward the trunk" approach. Doug Madill on Instagram put it this way: "A sumi-e painter once said imagine a single tree branch finding their unique way home to the main branch or trunk." -- I might have used a tiny bit of white gouache for those windows.
That is so cool! And thank you for your answer I know that sometimes what looks initially like a darker wash can end up as a light area. .I struggle with that
3 comments:
Hi,this is Lynnwood! It always seems more natural to feel your way out from the trunk,but sometimes you can use the tip of the brush at the tip of the branch and use the graduating belly of the brush to make the branch naturally thicker as you approach the trunk.In this case,you can feel the gesture more as if the branch were reaching back through space to grasp or pierce the trunk,as with a bony , gnarly hand...instead of that searching outward feeling .After all there are hidden processes in the smallest twig that reach fruition deep in the ground.The gesture of nature is always toward balance .Growth is both in opposition to and dependent on gravity!....oh,an embarrassingly naive question. How did you achieve the little light areas in the windows on the wall that started as a dark brown wash? Loved the painting...it made me want to paint. Which I went and did!!:))
Lynwood, you make a great case for the "toward the trunk" approach. Doug Madill on Instagram put it this way: "A sumi-e painter once said imagine a single tree branch finding their unique way home to the main branch or trunk."
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I might have used a tiny bit of white gouache for those windows.
That is so cool! And thank you for your answer I know that sometimes what looks initially like a darker wash can end up as a light area. .I struggle with that
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