Friday, September 23, 2022
Dame Street, Dublin
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James Gurney
This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
Color in Practice
"Down-to-earth, step-by-step approach" —Nathan Fowkes
Blog Index
- Academic Painters (609)
- Animals (323)
- Animation (135)
- Architecture (37)
- Art By Committee (44)
- Art Podcasts (3)
- Art Schools (105)
- Audio (35)
- Book reviews (82)
- Casein Painting (91)
- Catskill Mountains (11)
- Clementoons (12)
- Color (248)
- Color and Light Book (83)
- Comics/Cartooning (169)
- Composition (105)
- Computer Graphics (107)
- Dinosaurs (112)
- Dinotopia (231)
- Effects/Phenomena (44)
- Elementary Schools (10)
- Figure Drawing (65)
- GJ Book Club (7)
- Golden Age Illustration (329)
- Gouache (229)
- Hudson River School (59)
- Illustrated Books (35)
- Imaginative Realism (53)
- Journey to Chandara (138)
- Lettering (42)
- Lighting (139)
- Living Sketchbook (11)
- Miniatures (79)
- Models Posing (55)
- Movie Studios (15)
- Museum Visits (213)
- Paint Technique (249)
- Painting Gear (89)
- Pen and Ink (81)
- Pencil Sketching (279)
- Perspective (28)
- Photography (66)
- Plein Air Painting (220)
- Portraits (341)
- Preliminary Sketches (75)
- Printmaking (12)
- Puppets (3)
- Rabbit Trails (119)
- Ranger Rick (10)
- road tour (63)
- Sculpture (22)
- Toys (16)
- Video (200)
- Visual Perception (153)
- Watercolor Painting (355)
- Writing (68)
Blog Archive
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2022
(338)
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September
(28)
- Andreas Paul Weber
- 'Laughter' by Filipp Maliavin
- 'Sea Painting is Memory Painting'
- Combining Drawing and Painting
- A House on Wellington Street
- Book Recommendations
- Sparkles of Sunlight
- Dame Street, Dublin
- Bathers at Seapoint
- Catching a Ride on a Turnip Cart
- Waves Breaking at The Forty Foot
- Restoring Klimt's Lost Masterworks
- The Dancing Pig (1907)
- Ask Me About This Painting
- Ward Kimball's Advice to an Aspiring Animator
- Opaque and Transparent Painting
- Two Chickens
- Painting my Grandbaby
- Using AI to Guess How a Painting Was Made
- Quick Sketch of a Resting Dog
- Obamas' White House Portrait
- Grid Illusion
- Sketches for Dinosaur Parade
- Puppet Dog "Smooch"
- Image-to-Image Style Transfer
- "Same Energy"—A Visual Search Engine
- Painting in the Rain in International Artist Magaz...
- Andrew Wyeth's Images of Death
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September
(28)
Tip Jar
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Color and Light Book
Classic textbook on a universal topic
Imaginative Realism
Signed by the author
Other Official Sites
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Contact
You can write me at:
James Gurney
PO Box 693
Rhinebeck, NY 12572
or by email:
gurneyjourney (at) gmail.com
Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
James Gurney
PO Box 693
Rhinebeck, NY 12572
or by email:
gurneyjourney (at) gmail.com
Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
Permissions
All images and text are copyright 2020 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
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