This daily weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
Dinotopia Museum Show
Exhibit of originals coming to Connecticut, Feb. 14-May 25. Event March 1
"A ravishing, action-packed adventure." —Smithsonian. Now with 32 extra behind-the-scenes pages. Signed by the author/illustrator
Dinotopia: Journey to Chandara
160 pages, fully illustrated in color. Written and illustrated by James Gurney. Signed by the author
Donating = Loving
Writing GurneyJourney takes dozens of hours each month. If you get as much out of this blog as you get from a cup of coffee or a nice meal out, please consider contributing to my citizen journalism in the visual arts.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
All images and text are copyright 2015 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
Michel-Martin Drölling, Portrait of the Artist aged 18, 1804
"What sort of painting can a young fellow do at your age? Generally something mediocre as far as ideas go.... Do sketches, train yourself in composition: whatever ideas you've got, put them on to paper in a single day at one stroke, and even though it's on a small scale, you can put into it anything you like in the way of harmony, elegance, costumes, poetry and so forth: those are the sort of paintings you should be doing at seventeen.... Above all, see to it that all your efforts and studies converge and help you to qualify for the [Prix de Rome] competition. That's your goal and, if you want to reach it, don't waste a day on feeble and useless studies." —Michel-Martin Drölling (1789-1851)