This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
Permissions
All images and text are copyright 2020 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
A lesser known fact for artists is that tinting is acually a convolution operation between the light source and the image color (not spatial ) frequency spectra.
He passes up differences between absortion spectra ( pigment or substractive color model ) and emition spectra ( light or additive color model ). Although it's not hard to understand , an electron jumps to a very specific energy level on absortion , but goes down through all intermidiate energy levels on emition , making light percivied from light emitiong sources ( i.e. a TV screen ) "richier" than light percieved from light absorbing sources ( i.e. a printed image ).
Here’s another interesting bit of info to consider when thinking about the colors of light: Even though EM energy is made of waves, and we can combine different colored light, A+B, to make a third color, C, the EM waves do not interfere w each other (like sound-waves, or liquid-waves), A+B (does not =) C (a new wavelength energy); A+B = (A+B) a combination of the two wavelengths (not an admixture or interference), and C is ‘percieved’ by our visual-sensors/brain/thing. But w pigments, we are creating a new chemistry: A+B = C, where C has the property of reflecting the wavelength = C. Thanks for the link, James! -RQ
5 comments:
That was great fun!
A lesser known fact for artists is that tinting is acually a convolution operation between the light source and the image color (not spatial ) frequency spectra.
He passes up differences between absortion spectra ( pigment or substractive color model ) and emition spectra ( light or additive color model ). Although it's not hard to understand , an electron jumps to a very specific energy level on absortion , but goes down through all intermidiate energy levels on emition , making light percivied from light emitiong sources ( i.e. a TV screen ) "richier" than light percieved from light absorbing sources ( i.e. a printed image ).
Here’s another interesting bit of info to consider when thinking about the colors of light: Even though EM energy is made of waves, and we can combine different colored light, A+B, to make a third color, C, the EM waves do not interfere w each other (like sound-waves, or liquid-waves), A+B (does not =) C (a new wavelength energy); A+B = (A+B) a combination of the two wavelengths (not an admixture or interference), and C is ‘percieved’ by our visual-sensors/brain/thing. But w pigments, we are creating a new chemistry: A+B = C, where C has the property of reflecting the wavelength = C.
Thanks for the link, James! -RQ
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