This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
Permissions
All images and text are copyright 2020 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
Very evocative painting, Jim. I made a similar random color shift in an architectural rendering once. (I was infatuated with Bernie Fuchs at that moment and couldn't resist experimenting with the effect in my own work.) I really loved the atmospheric result... but I seriously confused the client. "What color is our house going to be?" Haha. I guess sometimes you have to be literal. In the world of architectural rendering, it's always a balancing act between fine art, illustration, and specification.
AS a retired chemist who is familiar with color, light, visible spectrum, etc. it is always amazing to me how artists can see color shifts I never noticed for 50 years. I once saw a local artist do a portrait using pastels starting with blue on the left, and ending with red on the right, but somehow the face in the middle looked FLESH!!! Now I watch in the same astounded and am amazed way how a white house shows up in the middle, yet it is surrounded by blues and yellows! Great DEMO! Maestro!
2 comments:
Very evocative painting, Jim. I made a similar random color shift in an architectural rendering once. (I was infatuated with Bernie Fuchs at that moment and couldn't resist experimenting with the effect in my own work.) I really loved the atmospheric result... but I seriously confused the client. "What color is our house going to be?" Haha. I guess sometimes you have to be literal. In the world of architectural rendering, it's always a balancing act between fine art, illustration, and specification.
AS a retired chemist who is familiar with color, light, visible spectrum, etc. it is always amazing to me how artists can see color shifts I never noticed for 50 years. I once saw a local artist do a portrait using pastels starting with blue on the left, and ending with red on the right, but somehow the face in the middle looked FLESH!!! Now I watch in the same astounded and am amazed way how a white house shows up in the middle, yet it is surrounded by blues and yellows! Great DEMO! Maestro!
Post a Comment