This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
Permissions
All images and text are copyright 2020 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
Talkies were brand new in 1929, with movie cameras barely past the hand cranked silent era. For recorded sound to sound "right" it has to record and play back at a highly regulated constant speed. The ability to do that was several years in the future and even then, only available for the professional studios that could afford the best equipment.
4 comments:
How would you like to spend a day (or several) in 1929 with your paints and sketchbook? What I wouldn't give for a time machine.
This is fascinating. I love how well dressed everyone is.
Are the voices higher pitched due to the way they recorded sound back then?
Beautiful. The vet called the Civil War the "war of Rebellion". Interesting.
Mike,
Talkies were brand new in 1929, with movie cameras barely past the hand cranked silent era. For recorded sound to sound "right" it has to record and play back at a highly regulated constant speed. The ability to do that was several years in the future and even then, only available for the professional studios that could afford the best equipment.
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