This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
Permissions
All images and text are copyright 2020 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
It would be interesting to hear the rationale behind this composition. I haven't been able to make peace with the empty space on the right in particular. The sign which gives the painting its name is a great visual element, but I don't feel it has enough interest on its own to counterbalance the placement of the figures, or even the space below it. There are a lot of strong diagonal elements but they don't seem to point to anything of purpose. However, it is a Hopper, and has that tremendous sense of mood, silence, and melancholy.
Couldn't edit my comment so I'll post again! I think most of the diagonals point to (and make your eye run into) the foreground figures. Despite the rich colors, I honestly think this particular painting is a bit lame compared to some of his other works (which I love). His name carries a lot of weight, though..
3 comments:
It would be interesting to hear the rationale behind this composition. I haven't been able to make peace with the empty space on the right in particular. The sign which gives the painting its name is a great visual element, but I don't feel it has enough interest on its own to counterbalance the placement of the figures, or even the space below it. There are a lot of strong diagonal elements but they don't seem to point to anything of purpose. However, it is a Hopper, and has that tremendous sense of mood, silence, and melancholy.
Couldn't edit my comment so I'll post again!
I think most of the diagonals point to (and make your eye run into) the foreground figures.
Despite the rich colors, I honestly think this particular painting is a bit lame compared to some of his other works (which I love). His name carries a lot of weight, though..
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