This daily weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
Dinotopia Museum Show
Exhibit of originals coming to Connecticut, Feb. 14-May 25. Event March 1
"A ravishing, action-packed adventure." —Smithsonian. Now with 32 extra behind-the-scenes pages. Signed by the author/illustrator
Dinotopia: Journey to Chandara
160 pages, fully illustrated in color. Written and illustrated by James Gurney. Signed by the author
Donating = Loving
Writing GurneyJourney takes dozens of hours each month. If you get as much out of this blog as you get from a cup of coffee or a nice meal out, please consider contributing to my citizen journalism in the visual arts.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
All images and text are copyright 2015 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
In China, the how-to books on oil painting often feature bold, brushy paintings of everyday scenes. Here's a painting of an ordinary hair styling salon. Sorry, I don't know the name of the artist.
These appear to be painted from life, and they have a refreshing directness and simplicity. Judging from the historical books in the art bookshops, the approach is inspired by Fechin, Repin, Menzel, and Zorn.
By the way, the squatting guy above is working a popcorn cannon. Here's one in action (Thanks, SteveC):
Thanks, Gary Geraths for the scans
Previously on GJ: Chinese Drawing