This daily weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
Color and Light Book
In Amazon's Top Ten Painting books for over 4 years.
Signed by author, great gift for the holidays. Ships within 24 hours.
"A ravishing, action-packed adventure." —Smithsonian. Now with 32 extra behind-the-scenes pages. Signed by the author/illustrator
Dinotopia: Journey to Chandara
160 pages, fully illustrated in color. Written and illustrated by James Gurney. Signed by the author
Donating = Loving
Writing GurneyJourney takes dozens of hours each month. If you get as much out of this blog as you get from a cup of coffee or a nice meal out, please consider contributing to my citizen journalism in the visual arts.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
All images and text are copyright 2014 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
Here's a quick study in casein of a back street in Buena Vista, Colorado, painted while we did our laundry. I like these contre-jour street scenes because they automatically organize the values and they give a feeling of brilliant light.
Here's an early stage, showing the semi-transparent lay-in of big shapes, painted with a half-inch flat brush. I used just five colors: Titanium white, Venetian red, golden ochre, raw umber, and cobalt blue. The smaller details and refinements come last, painted with a smaller brush. Some of the final power lines are drawn with colored pencils.