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| William John Leech "Girl with a Tinsel Scarf." |
Leech studied in Paris before traveling to visit regional areas of France, where many artists combined Impressionist sensibilities with accurate drawing.
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| William John Leech "The Sunshade" c.1913 Oil on canvas, 81 x 65 cm |
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| William John Leech "A Convent Garden in Brittany" National Gallery in Dublin |
"In this picture, Leech’s first wife Elizabeth poses as a novice of the Soeurs du Saint-Esprit, looking up contemplatively from her prayer book, as nuns from the same order, their heads bowed in prayer, process through the shadows in the background. The setting is the walled garden of the nuns’ hospital and convent in Concarneau, in which Leech had convalesced in 1904, having contracted typhoid fever. Elizabeth wears the Breton bridal costume traditionally donned by novices on the day they took their final vows.
The painting reflects an interest in the religious devotion of the Breton community that Leech shared with many visiting artists, but also the artist’s particular love of sunlight and pattern."
3 comments:
These colored, sun-lit sunshades do have an immense effect on skintones beneath:
Once more ample evidence to be observed here.
Interesting read
I used to visit 'the Sunshade' as often as possible when I was a child. I think I fell in love with her. Leech clearly did love her. She brought out his greatest expression on so many levels. Technically they are inspiring but they are also full of life.
When they divorced his paintings became bored, dull things that had no relationship with these masterpieces. Despite that, he produced a lot of them, perhaps attempting to retrieve what he hsd lost.
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