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Howard Pyle and Frank Schoonover |
"Upon these gentle voyages through field and woodland, there was the subtle pointing out of a purple, of broken color in a whitewashed wall, of all the delicate gradations of tone and value, the knowledge of which is not always accredited to the varied equipment of an illustrator. I recall most vividly an October day, clear and cool, with a touch of winter in the hazy air.
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Frank Schoonover at the easel |
"We were glad to relax and to
enter into a short interval of, perhaps, well-
earned rest. We followed the windings of
a small stream that brought us finally to a
broad opening and the summit of a hill.
On the crest of this gentle knoll stood an
oak — a wonderful, radiant picture, silhouetted against the sky. Mr. Pyle stopped
and drank it in as one athirst.
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"How, simple and how true it was. I doubt if a single one present that October day has forgotten the translation of what might otherwise have appealed as commonplace, into a world of divine purpose, leagues beyond the shell that surrounded our own feeble efforts."
Exploring nature together with reverence and common purpose was a central part of Pyle's teaching.
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From "Howard Pyle" by Schoonover
2 comments:
Thank you for such educational posts. Until reading your blog, I had not heard of Howard Pyle, nor until now, Franklin Schoonover. At least this way I/we have access to knowledge of such an array of masters, students, teachers, and the integrity of their work and consciousness.
Love this! It reminds me of Robert Henri and his love for everything and how an artists purpose is expressing himself/herself and their own idiosyncratic vision. More than just copying what is seen but communicating emotional response.
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