Adolph Menzel (German 1815-1905) undertook this ambitious painting without a commission. It was a battle scene, but it didn't glorify the war.
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Adolph Menzel, Frederick the Great and His Men in the Battle of Hochkirch (Night Attack at Hochkirch), 1856, oil on canvas, 295 x 378 cm,
destroyed during the Second World War |
It shows Frederick the Great's soldiers engaged "in a crushing defeat suffered during the Seven Years War, and, to make matters worse, a defeat that could be laid entirely at the feet of the king and that cost the lives of a sizable number of his leading generals, not to mention those of nine thousand soldiers, was not a painting that lent itself to propaganda purposes or the the glorification of the Hohenzollern dynasty."
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Nevertheless, the painting was much talked about, and eventually it was bought by the king. What helped sell it was the argument, which Menzel made in a letter to the king, that the painting shows Frederick's nobility in the way he accepted defeat.
The work took Menzel a long time to complete. It come down to us in photographs of poor quality, because the canvas itself was destroyed in World War II.
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Quote from the book
Adolph Menzel: The Quest for Reality
by Werner Busch.
3 comments:
James, have you ever covered the use of dynamic symmetry in these masterful compositions. It's there, if you know what to look for. Do you use symmetry when designing a composition?
I've been reading your book "Color and Light." You write about using gamut maps in your oil paintings. Do you pick the caesin underwash colors and watercolor/gouache colors for your sketchbook work based in a gamut map?
plus: king Frederick William IV displayed the painting only in a dark backroom, where servants would prepare the dishes which upset Menzel very much,for it took him so much energy to convince the court to buy the piece.
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