The left hand side of the composition is painted on an acetate cel so that the animated characters can walk through the middle of the scene. I used some airbrush in the back layer to soften the transitions, because I didn't want the background to compete with the figures.
Painting these backgrounds was an amazing experience because when I saw my paintings projected on the screen in the context of action and music and intercutting, I felt like I was living inside my pictures.
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