Adolph Menzel, Frederick the Great and His Men in the Battle of Hochkirch (Night Attack at Hochkirch), 1856, oil on canvas, 295 x 378 cm, destroyed during the Second World War |
Nevertheless, the painting was much talked about, and eventually it was bought by the king. What helped sell it was the argument, which Menzel made in a letter to the king, that the painting shows Frederick's nobility in the way he accepted defeat.
The work took Menzel a long time to complete. It come down to us in photographs of poor quality, because the canvas itself was destroyed in World War II.
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Quote from the book Adolph Menzel: The Quest for Reality by Werner Busch.
3 comments:
James, have you ever covered the use of dynamic symmetry in these masterful compositions. It's there, if you know what to look for. Do you use symmetry when designing a composition?
I've been reading your book "Color and Light." You write about using gamut maps in your oil paintings. Do you pick the caesin underwash colors and watercolor/gouache colors for your sketchbook work based in a gamut map?
plus: king Frederick William IV displayed the painting only in a dark backroom, where servants would prepare the dishes which upset Menzel very much,for it took him so much energy to convince the court to buy the piece.
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