This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
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All images and text are copyright 2020 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
Such a great example of warm and cool. A lot to learn from here! Regarding the use of watercolor as the transparent medium in this painting, do you think you could achieve a similar result using diluted gouache instead? I have tried to use diluted gouache in place of transparent watercolor with minimal success and am not sure why I get mixed results. I can't seem to achieve the chroma of diluted gouache as I can with transparent watercolor. Maybe I need to pay more attention to my choice of colours and their respective degrees of opacity. Or maybe I'm stretching the transparent capabilities of gouache too far and should pack a few tubes of watercolor in my travel kit as well. Any suggestions? Thanks.
Biff, most gouache paints these days don't use a lot opacifiers, which is what makes them look chalky in thin mixtures. It also depends a bit on the pigment. If you use paint by M. Graham, Winsor & Newton, Holbein, ShinHan or other reputable makers, you should be OK if you use them as transparent colors. It's good to test the colors you want to use on a separate sample. Here's a previous blog post with more info: http://gurneyjourney.blogspot.com/2015/06/gouache-ingredients-info-from.html
How much of the time spent painting is time spent waiting for layers to dry? I keep rushing and ending up with bleeding and messy edges, and just can't seem to get the "do it quickly before the light etc changes" and the whole - this is going to take 10 mins to dry and you don't want to work on it while it's wet married up. When I work on watercolours normally, I'll go do something else for 10 minutes between layers, but outside I feel like I should be working constantly so I get the image down. Do you stop and let things dry or do you have some methods of working that helps with this?
Damy, I don't remember having to stop to wait for layers to dry. They dry pretty fast on their own, and while they're still damp, they offer a receptive surface for soft passages. Softness is desirable, and harder to achieve than crispness.
5 comments:
Such a great example of warm and cool. A lot to learn from here! Regarding the use of watercolor as the transparent medium in this painting, do you think you could achieve a similar result using diluted gouache instead? I have tried to use diluted gouache in place of transparent watercolor with minimal success and am not sure why I get mixed results. I can't seem to achieve the chroma of diluted gouache as I can with transparent watercolor. Maybe I need to pay more attention to my choice of colours and their respective degrees of opacity. Or maybe I'm stretching the transparent capabilities of gouache too far and should pack a few tubes of watercolor in my travel kit as well. Any suggestions? Thanks.
Biff, most gouache paints these days don't use a lot opacifiers, which is what makes them look chalky in thin mixtures. It also depends a bit on the pigment. If you use paint by M. Graham, Winsor & Newton, Holbein, ShinHan or other reputable makers, you should be OK if you use them as transparent colors. It's good to test the colors you want to use on a separate sample. Here's a previous blog post with more info: http://gurneyjourney.blogspot.com/2015/06/gouache-ingredients-info-from.html
How much of the time spent painting is time spent waiting for layers to dry? I keep rushing and ending up with bleeding and messy edges, and just can't seem to get the "do it quickly before the light etc changes" and the whole - this is going to take 10 mins to dry and you don't want to work on it while it's wet married up.
When I work on watercolours normally, I'll go do something else for 10 minutes between layers, but outside I feel like I should be working constantly so I get the image down. Do you stop and let things dry or do you have some methods of working that helps with this?
Damy, I don't remember having to stop to wait for layers to dry. They dry pretty fast on their own, and while they're still damp, they offer a receptive surface for soft passages. Softness is desirable, and harder to achieve than crispness.
Golf applause!
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