This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
Permissions
All images and text are copyright 2020 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
Your post had me pulling my How I Paint Dinosaurs DVD off the shelf for another look. Once protecting your detailed pencil sketch with acrylic spray, your initial thin paint work could be likened to "splashing color." Yet you follow this with opaque detail work to bring the ceratopsian to life. I've seen digital artists perform this by scanning a pencil drawing, then painting over it on a separate layer (analogous to the acrylic spray). In digital you can "paint" as opaquely as you want without obscuring the sketch. Or as Rich said, just go ahead and add semi-transparent color to the sketch. I've done this to a Triceratops I sketched at Fieldstation: Dinosaurs, moving the sketch layer to the top so the lines show (that's the ultimate in "splashing color"). Not high art, but good enough for me and the Dinotopia Message Board (OMB). As always, thank you for the inspiration!
On a separate note, the "dino doodles" you have been signing my Dinotopia books are nothing short of amazing, they make a hit with their recipients. May I ask if I could share just one of these on the OMB? I've always wanted to but have held off due to moral / copyright issues.
3 comments:
Download all latest important software for your PC from NearFile: NearFile.Com
But such a nice precise line drawing's already half the battle won. Not everyone can do it.
Splashing: Yes!
Your post had me pulling my How I Paint Dinosaurs DVD off the shelf for another look. Once protecting your detailed pencil sketch with acrylic spray, your initial thin paint work could be likened to "splashing color." Yet you follow this with opaque detail work to bring the ceratopsian to life. I've seen digital artists perform this by scanning a pencil drawing, then painting over it on a separate layer (analogous to the acrylic spray). In digital you can "paint" as opaquely as you want without obscuring the sketch. Or as Rich said, just go ahead and add semi-transparent color to the sketch. I've done this to a Triceratops I sketched at Fieldstation: Dinosaurs, moving the sketch layer to the top so the lines show (that's the ultimate in "splashing color"). Not high art, but good enough for me and the Dinotopia Message Board (OMB). As always, thank you for the inspiration!
On a separate note, the "dino doodles" you have been signing my Dinotopia books are nothing short of amazing, they make a hit with their recipients. May I ask if I could share just one of these on the OMB? I've always wanted to but have held off due to moral / copyright issues.
Go Toronto Raptors!
Post a Comment