Monday, October 28, 2024
Lines and the Brain
Coles Phillips was a Golden Age illustrator who created illusory shapes as a compositional device, making our brains see what isn’t there. He became known for the “Fadeaway Girl,” who disappears into the background.
More at my Substack article "Lines and the Brain," part 1 and Part 2.
Sunday, October 20, 2024
Lightbox Schedule
Here are my events for Lightbox Expo in Pasadena a week from now. The rest of the time I'll be wandering around. I look forward to meeting you there.
Friday, October 11, 2024
Colossal Characters in Two Weeks
We'll be sketching Colossal Characters two weeks from today in Pasadena. Bring a sketchbook and join us, and let’s dream with our eyes open.
This year’s list of Mentors is off the charts (links to Instagram)
Thomas Fluharty @thomasfluharty
Jess Karpishin @jess.karp
Karla Ortiz @kortizart
John Burton @johnburtonart
Kiptoe @kiptoe1
Angela Sung @angothemango
Sean Bodley @seanbodley
Jeff Hong @chromacorg
Amanda Grose @myworldinillustration
Qianjian Ma @q_sketches
Kate Rado @katerado
James Gurney @jamesgurneyart
Thomas Fluharty @thomasfluharty
Jess Karpishin @jess.karp
Karla Ortiz @kortizart
John Burton @johnburtonart
Kiptoe @kiptoe1
Angela Sung @angothemango
Sean Bodley @seanbodley
Jeff Hong @chromacorg
Amanda Grose @myworldinillustration
Qianjian Ma @q_sketches
Kate Rado @katerado
James Gurney @jamesgurneyart
(Pictured from last year: Kymba Plushner (LeCrone) and Gabriel Gonzalez, lead artists at Blizzard.)
eyes open!
Monday, October 7, 2024
Painting a Film-Noir Streetscape
Welcome Visitors and New Subscribers.
Link to YouTube short video. This Lincoln Town Car looks mysterious to me, like it’s waiting to pick someone up for some weird errand.
I want to paint it faithfully, but change the lighting to make it look like a moody and mysterious street scene that evokes the mood of film noir. More about this strategy at my Substack.
Friday, October 4, 2024
Penovác's Cats
He uses a wet-in-wet technique, which involves applying wet paint to a pre-wetted surface. This approach allows the pigments to blend and spread organically, creating soft, ethereal effects.
More about how he paints these cats on my Substack post
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