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Ben Cassam
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Between 1917 and 1920, Swiss artist
Eugène Burnand (1850-1921) drew over a hundred portraits of the various allies in World War I.
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| Serraghi Cherrif |
He drew them with
Wolff pencils
. The color was added with
Hardtmuth hard pastels
. Burnand's keen observation was shaped during his training at the École des Beaux-Arts with
Jean-Léon Gérôme.
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| Jean Bellac |
Many of his subjects posed for him while they were recuperating between deployments,.
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| Tirailleur Famory |
Burnand was interested in the various ethnicities and facial types of the military men.
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| Mohamed Ben Binhouan |
He drew them all with sympathy but also objectivity.
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| Lé Naplong |
Most are shown with indirect light, and with an upshot angle, increasing the sense of dignity.
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| Lé Tiep |
He often subordinated the edges around the neck and shoulders, and concentrated the attention on the eyes and mouth.
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| Private Roshan Dean |
It's a genuine accomplishment in portraiture to capture the uniqueness of the individual's physiognomy but also their universal emotion.
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Auxiliary Chan Mohamed
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He got to know each of them first and developed a relationship of trust. Sometimes the sitting became more like a confessional.
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Rev. Père Rouillon
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He offered to pay them for sitting, but many of them refused to accept the money, as they felt honored to pose.
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Serbian infantry private
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Resources to learn more:
See the rest of Burnand's WWI portraits online
Drawings on display Museum of the Legion of Honor (
Légion d'honneur) in Paris.
The drawings were published in 1922 a book called
Les alliés dans la guerre des nations.
Here's a modern book that includes the work from
Les Alliés Dans La Guerre Des Nations.
Review by Gabriel Weisberg of a catalog of a 2004 exhibition of Burnand's work.
Eugène Burnand on Wikipedia
8 comments:
What beautiful work, and such a great record of that period in time. I imagine he opted for coloured pencils for their portability?
Wonderful portraits...
He caught their souls.
All those different ethnicities so finely portrayed - racism impossible with such a degree of education.
this is amazing and some of the best portraits of different ethnicities (and their undertones) I have ever seen! Great degree of precision without being too analytical so it captures the energy and life of each individual and doesn't make them just an 'other' (as Edward Said might say). Amazing.
How large are the pictures, would you say?
The colour looks like it came from coloured pencils; you think they were dry pastels in pencil format?
Really nice execution, and certainly eliminates a lot of the messiness that often comes with 'wet' techniques, eg. watercolours or acrylic.
Tryggvi, I have no idea how big they are. Maybe someone who has seen them in Paris can say.
Does it seems like he raised the chroma of the colors a little bit more than in real life?
I am the author of the website they are published on. On the website there is a picture of me standing next to the originals on the history page. You can judge the size. They appear to be life size.
Doug jenkinson
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