J.C. Leyendecker |
How did those classic illustrators interpret the sport visually? That's the question posed by Michael Oriard in his new book The Art of Football: The Early Game in the Golden Age of Illustration.
Arnold Friberg, Rutgers Princeton Game |
Frederic Remington |
Frederic Remington |
J.C. Leyendecker focused on compositions with strong poster-like silhouettes to capture the glamorous aspects of the players both on and off the field.
Football was mostly a college game until 1920, when the American Professional Football Association (later the NFL) was formed. Its popularity grew rapidly, enough to get the attention of the major magazines.
Mr. Oriard, himself a player and a historian of the sport, says: "When played, football was always a brutal slugfest; when watched, the spectators were not the cream of American society, but 'sporting men' and their tarted-up female companions."
Some of the paintings in the book by W.T. Smedley and C.S. Reinhart (above), focus on the crowd and their reaction.
The Art of Football: The Early Game in the Golden Age of Illustration by Michael Oriard.
244 pages, color and black and white, published by the University of Nebraska. Currently $29.05 on Amazon.
2 comments:
Arnold Friberg just does not get the recognition he deserves. Every picture he does seems full of detail with spot on technical prowess.
Kind of an "aside" question . . . Why do so many of the Leyendecker oil paintings/sketches that I see have a solid white background? Thanks.
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