This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
Permissions
All images and text are copyright 2020 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
Nice wash. By the way, a pro pos wash - I just came across a statement about watercolors and the residues of a spent palette: Should they be washed/cleansed away?
The argument was, there are no "dirty" watercolors: it all depends upon the amount of water you put in them. Dilution seems to be the solution;-)
When did you do this? - It always amazes me that something built so many centuries ago is still there. One of the first things I noticed was the oil window. (There's probably a real name for it, but I'm talking about the window directly above the gate they used to use to poor hot oil, etc. on invaders trying to break through the gate)
Rich, I think it's a good idea to clean a palette. I am a lover of mud and mess, but when you need a pure color, you've got to have a clean space to mix it.
Penny, this was back in 1987 when I was on assignment for National Geographic in Israel and Jordan.
5 comments:
Nice wash.
By the way, a pro pos wash - I just came across a statement about watercolors and the residues of a spent palette: Should they be washed/cleansed away?
The argument was, there are no "dirty" watercolors: it all depends upon the amount of water you put in them. Dilution seems to be the solution;-)
You make it look and sound simple to create such an evocative, otherworldly scene - gorgeous!
When did you do this? - It always amazes me that something built so many centuries ago is still there. One of the first things I noticed was the oil window. (There's probably a real name for it, but I'm talking about the window directly above the gate they used to use to poor hot oil, etc. on invaders trying to break through the gate)
Simple is best; deceptive and beautiful.
Rich, I think it's a good idea to clean a palette. I am a lover of mud and mess, but when you need a pure color, you've got to have a clean space to mix it.
Penny, this was back in 1987 when I was on assignment for National Geographic in Israel and Jordan.
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