This weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.
You can write me at: James Gurney PO Box 693 Rhinebeck, NY 12572
or by email: gurneyjourney (at) gmail.com Sorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.
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All images and text are copyright 2020 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.
However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.
The Dinotopia Pop-Up book brought to life scenes from the hatchery, a convoy facing off with T. rex, the hanging baskets of Treetown, and the dinosaur olympics, complete with a wonderful wobble-run.
First off, Happy New Year. I hope the year ahead is a very happy and healthy one for you and your family.
Was all the art by Michael Welply, created in your style but specifically made to work within the confines of the 3D pop-up format? Or were your illustrations used but supplemented by the other Welply? I'm curious what that process was like if another artist was trying to mimic your illustrations and how much control you had over the process.
Are there 3D pop-up designers you are specifically inspired by? If interested, The Movable Book Society is a fantastic resource of interviews with pop-up designers past and present. Their information can be found online with many of their more recent newsletters freely available to view.
I've personally become very interested in Vojtech Kubasta after finding some of his books in my father's collection after he passed away last year. Kubasta was actively creating pop-up books from the late 1950s through early 1970s and are very different from the style of pop-ups that are currently popular. For instance his books are meant to open at a 90 degree angle rather than fold flat which allows the pop-ups to be more theatrical in nature while still using many of the standard principles.
As before, thank you for sharing some of the process that went into the creation of this book.
2 comments:
First off, Happy New Year. I hope the year ahead is a very happy and healthy one for you and your family.
Was all the art by Michael Welply, created in your style but specifically made to work within the confines of the 3D pop-up format? Or were your illustrations used but supplemented by the other Welply? I'm curious what that process was like if another artist was trying to mimic your illustrations and how much control you had over the process.
Are there 3D pop-up designers you are specifically inspired by? If interested, The Movable Book Society is a fantastic resource of interviews with pop-up designers past and present. Their information can be found online with many of their more recent newsletters freely available to view.
I've personally become very interested in Vojtech Kubasta after finding some of his books in my father's collection after he passed away last year. Kubasta was actively creating pop-up books from the late 1950s through early 1970s and are very different from the style of pop-ups that are currently popular. For instance his books are meant to open at a 90 degree angle rather than fold flat which allows the pop-ups to be more theatrical in nature while still using many of the standard principles.
As before, thank you for sharing some of the process that went into the creation of this book.
Hello
There is a strange data on the Amazon link Pop edition (September 1, 1993)
Is this a refuse? I am quite sure this is a new book
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